Carnival!

A TAMS-WITMARK TITLE

Carnival!

Full-Length Musical, Drama  /  2w, 4m

Music and Lyrics by Bob Merrill
Book by Michael Stewart
Based on Material by Helen Deutsch

Original production directed and choreographed by Gower Champion
Produced for the Broadway Stage by David Merrick

Based on the 1953 film Lili, this romantic musical is a bittersweet fairy tale about a naïve French girl infatuated with a troubled puppeteer in a traveling show.

Image: Sam Norkin

  • Cast Size
    Cast Size
    2w, 4m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptation (Stage & Screen), Period, Romantic Comedy
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Two 1962 Tony Awards for Actress and Scenic Designer
    Nominee: Seven 1962 Tony Awards, including Best Musical
    Winner! 1962 New York Drama Critics Circle Award for Best Musical
    Winner! 1962 Outer Circle Critics Award for Creative Contributions to the Season
Carnival!

Details

Summary
Acclaimed for its magic, simplicity, and compassion, Carnival! is a bittersweet fairy tale about a naïve French girl infatuated with a troubled puppeteer in a traveling show. Based on the 1953 film Lili, the musical boasts a charming Bob Merrill score, including the hit song “Love Makes the World Go Round.”
History
Carnival! opened on Broadway at the Imperial Theatre on April 13, 1961, starring Anna Maria Alberghetti, Jerry Orbach and Kaye Ballard. The show later transferred to the Winter Garden Theatre and ran for a total of 719 performances.

Act I

A lone figure, Jacquot, appears on an empty stage and begins playing a concertina ("Opening: Love Makes The World Go Round"). Gradually, several roustabouts enter and begin setting up a traveling carnival, complete with colorful banners and bright costumes ("Direct From Vienna"). Lili, a wide-eyed orphan, enters, seeking a job with the carnival ("A Very Nice Man"). Narrowly escaping the sexual advances of Gobert, the souvenir salesman, Lili instead grows enchanted by Marco the Magnificent, the show’s handsome and confident magician.

Meanwhile, Paul Berthalet, a lonely and bitter puppeteer, prepares a lifeless and uninspired act. A former dancer, he suffered a leg injury in the war and had to forsake his dancing career. Schlegel, the carnival manager, hates the act and promptly fires him. Paul’s assistant, Jacquot, hopes to smooth things over, but Paul realizes something must change ("I've Got to Find a Reason").

Lili, initially dismissed by Paul, tells Paul and Jacquot that she’s come a long way from the tiny town of "Mira" and longs to live a grand life. When Marco returns from the parade, he invites Lili to his trailer ("A Sword And A Rose And A Cape"). Rosalie, Marco’s longtime mistress and assistant, wonders whether Marco is having an affair behind her back ("Humming").

Marco offers Lili a job in his magic show and she excitedly accepts ("Yes, My Heart"). Meanwhile, Jacquot convinces Paul to stay with the carnival. Paul weighs his bitter melancholy against the joy of the smiling puppets ("Everyone Likes You"). At the magic show, unable to keep her enthusiasm under control, Lili ruins one of Marco's magic tricks and Schlegel fires her ("Magic, Magic"). Despite the mishap, the rest of the carnival goes on without a hitch ("Tanz Mit Mir"/"Carnival Ballet").

Humiliated, Lili attempts a suicidal jump from the acrobat's ladder, but she is stopped by a small redheaded puppet named Carrot Top. Lili soon meets the three other puppets: Horrible Henry, Marguerite, and Reynardo the Fox. Lili comforts Horrible Henry ("Love Makes the World Go 'Round") and joins the puppet act. Though she pities the puppets, Lili still harbors romantic feelings for Marco. As she sets off with Jacquot to arrange her lodgings, Paul emerges from behind the puppet booth, and Marco taunts him: “Poor old Carrot Top… she loves me.”

Act II

The puppet act becomes a hit with Lili, who does not realize who they really are ("Yum Ticky"/"The Rich"/"Love Makes the World Go 'Round”/"Beautiful Candy"). Paul curses his obsession with Lili ("Her Face"), denying any feelings of love. As Paul, he treats her with increasing cruelty, but he is compassionate and charming through his four alter egos. The carnival grows in popularity, and Jacquot predicts it’ll soon be "The Grand Impérial Cirque De Paris."

In the morning, Paul stops Marco and Lili just before they kiss. In rehearsal with Lili, Paul expresses his jealousy through verbal abuse. Correcting Lili’s every move, Paul stumbles and falls. Lili breaks down and suddenly, Paul kisses her. Lili, shocked, angry, and confused about Paul's feelings, decides to leave the carnival. Separately, Paul and Lili grapple with their conflicted emotions ("I Hate Him"/"Her Face" Reprise).

The next day, the circus travels to a new town ("The Grand Impérial Cirque De Paris"/"Direct from Vienna" Reprises). Rosalie threatens to leave Marco, but they pledge their love to each other and decide to run away and start their own show ("Always, Always You"). Secretly, Marco tells Lili he is leaving the circus and asks her to join him. Despite her knowledge of Marco’s womanizing ways, Lili frantically accepts. When Paul objects, Marco insults him, and the two men fight. Lili screams out her hatred for Paul and he strikes her. Lili runs off, and Paul finally confesses "She's My Love." Jacquot, infuriated, tells Paul that he made Lili grow up, teaching her the world is full of cruelty and not of love.

Lili says goodbye to Marco, realizing she’d been living a little girl's dream and she must move forward with her life. Marco, impressed with Lili's newfound maturity, lets her go. Carrot Top and Horrible Henry appear and ask Lili to take them with her. She sees the puppets are trembling, and lifts the puppets off to discover they have been Paul all along. Paul bitterly confesses his love for her, throwing the puppets to the ground. Lili, beginning to understand the shame and kindness in Paul, gently retrieves the puppets. Lili and Paul embrace, and together, they set off to follow the carnival.

Principals
(2 female; 4 male)

Lili
The Incomparable Rosalie

Paul Berthalet
Jacquot
B.F. Schlegel
Marco The Magnificent

Supporting

Princess Olga
Gladys Zuwicki
Gloria Zuwicki
Greta Schlegel
Dr. Glass

Others

Four Roustabouts
Jugglers
Grobert
First Card Girl
Harem Girls, Strong-Man, Aerialist, Clowns, Wardrobe Women, etc.

  • Time Period 1960s
  • Features Period Costumes
  • Additional Features Puppetry
  • Duration More than 120 minutes (2 hours)

Media

Photos

  • Carnival!

    Image: Sam Norkin

Music

Music Samples

Act I

1. Carnival Opening: “Direct from Vienna” – Rosaline, Chorus & Schlegel
2. “Very Nice Man” – Lili
3. Nice Man Tag – Orchestra
4. Carnival Theme: “Fairyland” – Carrot Top
5. “I’ve Got To Find A Reason” – Paul
6. Before Mira – Orchestra
6a. “Mira” – Lili
7. Return Parade – Orchestra
8. “A Sword And A Rose And A Cape” – Marco & Roustabouts
8a. Sword Incidental – Orchestra
8b. Sword Playoff – Orchestra
8c. Scene Change – Orchestra
9. “Humming” – Rosalie & Schlegel
9a. Scene Change – Orchestra
10. “Yes, My Heart” – Lili & Men
11. Heart Playoff – Orchestra
12. “Everybody Likes You” – Paul
13. Juggler’s Routine – Orchestra
14. “Magic Magic” – Rosalie, Marco & Lili
15. “Carnival Ballet” – Girls, Orchestra & Lili
16. “Golden Delicious” – Lili, Horrible Henry & Carrot Top
17. Theme Reprise Tag – Lili
18. Finale Act I – Orchestra

Act II

19. Opening Act II (Part One) – Marguerite, Renardo, Horrible Henry, Carrot Top & Lili
20. Opening Act II (Part Two) – Lili, Carrot Top & Horrible Henry
21. Opening Act II (Part Three) – Lili & Puppets
22. Opening Act II (Part Four) – Lili, Puppets & Chorus
23. Candy Tag – Chorus
24. Magic Underscore – Orchestra
25. “Her Face” – Paul
26. “Cirque De Paris Ballet” – Jacquot
27. Paris Playoff – Orchestra
28. “I Hate Him” – Lili & Paul
29. “Paris” Reprise – Chorus
30. “Always, Always You” – Rosalie & Marco
31. Reprise: “Always You” – Rosalie
32. “She’s My Love” – Paul
33. Marco’s Exit – Orchestra
34. Finale Ultimo – Orchestra
35. Bows – Orchestra
36. Exit Music – Orchestra

Full Orchestration

Violins AB
Violin C
Cello
Bass & Tuba

Reed 1: Flute & Piccolo
Reed 2: Flute, Piccolo, Clarinet & Alto Sax
Reed 3: Flute, Clarinet, Bass Clarinet, Alto Sax
Reed 4: Oboe, Clarinet & Tenor Sax
Reed 5: Clarinet, Bassoon & Baritone Sax

Horn
Trumpets 1 & 2
Trombone 1
Trombone 2

Percussion I & II:

Timpani (2)
Snare Drum (Brushes & Sticks)
Bass Drum
Tom Tom
Suspended Cymbal (Soft & Hard Mallets)
Tam Tam
Celeste
Bells (Soft & Hard Mallets)
Marimba
Xylophone
Triangles (2 sizes)
Wood Block
Cow Bell
Tambourine
Castanets
Ratchet
Slide Whistle

Harp
Guitar – Mandolin
Accordion (and stage Concertina)

Combo Instrumentation

Violins AB
Violin C
Bass

Reed 1: Flute, Piccolo & Clarinet & Alto Sax
Reed 2: Flute, Clarinet & Alto Sax
Reed 3: Clarinet, Bass Clarinet & Tenor Sax

Trumpets 1 & 2
Trombone 1
Trombone 2

Percussion I & II:

Timpani (2)
Snare Drum (Brushes & Sticks)
Bass Drum
Tom Tom
Suspended Cymbal (Soft & Hard Mallets)
Hi-Hat Cymbals
Tam Tam
Celeste
Bells (Soft & Hard Mallets)
Marimba
Xylophone
Triangle (2 sizes)
Wood Block
Cow Bell
Tambourine
Castanets
Ratchet
Slide Whistle

Accordion (and stage Concertina)

  • Musical Style Classic Broadway
  • Dance Requirements Easy
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
Full Orchestration:
34 Libretto-Vocal Book
1 Piano-Conductor
1 Reed 1
1 Reed 2
1 Reed 3
1 Reed 4
1 Reed 5
1 Horn
2 Trumpet 1&2
1 Trombone 1
1 Trombone 2
2 Percussion 1&2
1 Harp
1 Guitar
1 Accordion
2 Violin AB
1 Violin C
1 Cello
1 Bass


Combo Orchestration:
34 Libretto-Vocal Book
1 Piano-Conductor
1 Reed 1
1 Reed 2
1 Reed 3
2 Trumpet 1&2
1 Trombone 1
1 Trombone 2
2 Percussion 1&2
1 Accordion
2 Violin AB
1 Violin C
1 Bass
34 Libretto-Vocal Book
1 Piano-Conductor

Add-Ons

Take a look below at how you can enhance your show!

Authors

Bob Merrill

Bob Merrill (May 17, 1921 - February 17, 1998) was an American songwriter, theatrical composer, lyricist and screenwriter. He was the second most successful songwriter of the 1950s on the UK Singles Chart, with hits such as “How Much Is That Doggie In The Window?,” “Mambo Ita ...
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Michael Stewart

Michael Stewart (1924-1987) scored on Broadway the first time when he won a Tony Award for his Bye Bye Birdie libretto. He was the librettist for Carnival (Drama Critics Circle Award) and Hello, Dolly!, which earned him both a Tony and Drama Critics prize. Stewart also wrote ...

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Author

Helen Deutsch

Gower Champion

Gower Champion, director and choreographer of original 42nd Street, was awarded the Tony Award for Best Choreography for 42nd Street and also won the Dramatists Desk Award in the same category. His name is synonymous with some of the greatest musicals in Broadway history: He ...

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